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Lisa Behan

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Respect

November 21, 2016

I, Daniel Blake left me in despair. We have become a cruel society in our quest for efficiencies and measurable outputs. Ken Loach focuses his lens on the desperation felt by those of us down on our luck. The systems put in place by government agencies, insurance companies and other corporate giants seem designed to crush the human spirit. And not just the spirit of those accessing services, but also the compassionate nature of their employees, who are bound by rules and hounded by supervisors to tow the company line.

We used to have respect for people who were less fortunate, a “there but for the grace of god” feeling of regard. A seemingly forgotten, though important aspect of respect is the consideration for the feelings, wishes, and rights of others. This has been largely forfeited, replaced by the popular notion that if you work/study/strive/want it hard enough you will be magically rewarded. This idea of meritocracy is dangerous, it allows us to write people off as unworthy, a difficult stance to justify given the wealth distribution statistics. The Oxfam Davos report highlights that “The gap between rich and poor is reaching new extremes. Credit Suisse recently revealed that the richest 1% have now accumulated more wealth than the rest of the world put together… Meanwhile, the wealth owned by the bottom half of humanity has fallen by a trillion dollars in the past five years. This is just the latest evidence that today we live in a world with levels of inequality we may not have seen for over a century.”

Yet I still believe there is enough to go around, though flummoxed by the mechanisms required to make this happen. Surely we can strive to be a respectable society – it is not proper, nor decent that “62 people own the same as half the world”. Perhaps the solution is imminent, the start up world of digital enterprises promises a sharing economy which I hope we can embrace.

 

In activism, advocacy, film, inspiration Tags respect, Daniel Blake, Ken Loach, Oxfam
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George Gittoes

October 27, 2016

George Gittoes,  a lively 66 year old artist, enthralled us with snippets from his life story in GOMA’s cinema on Saturday. Two qualities become clear as you listen to George, The first is that he is fearless and the second is his fierce advocacy of the arts as a force for positive change.

He credits his paternal grandfather who was a pub pugilist for his physical toughness. After teaching George to fight he paid two young thugs to waylay him on the way home. When his mother confronted the Grandfather he was unrepentant simply saying that “George needed to learn how to take a beating.”

George discovered the power of puppets when he was growing up in Rockdale. Post WWII Rockdale was a mix of migrant groups from Europe - he was particularly interested in the Maltese girls across the road. One Saturday afternoon his father came home to find 300 people in the backyard watching George’s puppet show. He decided to pass a bucket around, then sent the proceeds to the Red Cross. As this pattern continued the Red Cross was curious to find out more about this kid who was sending in regular donations. They made a trip to his house to talk to him about how their organisation worked and the way the money was spent. This early inculcation to altruism remained with George.

George is famous for his YELLOW HOUSES. These multi-arts centres are set up to champion social change. The Yellow House in Jalalabad, Afghanistan has amazingly been blessed by the Taliban – though George emphasises that Afghani Taliban are very different to Pakistani Taliban and thinks they should have different names.  Their website describes their credo:

“All the artists of the Yellow House believe the best way to bring peace and positive social change is not with the weapons of war but with a broad range of creative media and strategies.”

It was fascinating to experience how much vigour George has for his mission – he embodies the saying bursting with energy. He is next harnessing that energy to tell the story of marginalised black kids in Brown Sub, Miami. Though he released a documentary in 2006 called Rampage, his friends from Brown Sub have asked him to come back to help find ways to improve the situation.

As impressed as I was with George's adventures there was a part of me that wanted to ask how he could free himself from parental responsibilities to pursue these passions across the globe. To fund his many humanitarian projects George relies on sales of his art, donations and has released a beautifully illustrated new book called Blood Mystic. This chronicle of his life and art is waiting to be purchased at the GOMA shop. Buy Now!

In art, inspiration, travel, advocacy Tags art, activism, George Gittoes, GOMA, Blood Mystic
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